believe me to be able to do whatever you want to do, anyone can do what he wants as long as he has the will to do so
Friday, 28 June 2013
Tuesday, 25 June 2013
one last cry
This last tear let me interpret it with gratitude for what I get for this .. I want what God has given him so easily, and I have to be aware of it, and become a better person
spirit
spirit can come only from the words meaningful in our lives,,
Bang Ali "better be hated by all the people of the abomination to God"
Mas Ribut "for you, do not talk like that, should not be"
mas bagus "edi, you learn that right, sorry for your parents, you have to be successful and make them happy"
Mas Zee "leave it alay, which remain essential self"
i'll find
I'll find your own meaning of life
let me judge for themselves the best way to make my spirit
let me walk alone to determine the direction that I'm sure there is success waiting for me there
please
let all that I believe in. I do
I let all the laughter as a form of catapult I thank God
secangir let me enjoy the warmth of coffee to warm my body is stiff from the cold start out there
someone
never mind i'll find someone like you
i wish nothing but the best for you
don't forget me,, i bagged
sometimes it last in love,, but sometimes it's hard inside
i wish nothing but the best for you
don't forget me,, i bagged
sometimes it last in love,, but sometimes it's hard inside
illusion
Should I just live in a fantasy, a dream embraced thousands,
and ahruskah I kept running away and chasing the shadows of illusion
avoid
do what you want to do, do what you think is good, finish what you think needs to be resolved, avoid the things that can make you fall, and avoid to not focus
may
deficiencies that do not make you have a reason for you not to thrive, because the lack of it that will be a force that can deliver you to the front of your dream and make it happen, when you know how to overcome the shortcomings that
the dream of
the dream to be with people who are willing to work hard, not pessimistic, never blaming other people what had happened to him, never ask for more in others, and always in the business without cheating
believe
when you believe, then keperayaan it will take you to what you want, what do you expect always stems from the belief that you deserve to get it
minds
mind is a force capable of smashing rock hard,,
able to negate something there and make something that does not exist ..
able to raise the dead and the living deadly
yess
thanks to my lonely, because when they tries to disturb my mind, I was learning to be calm and to feel that I was able to not rely on them
confession
just looking for people who are always there for you .. I just followed what you did to me, so do not ever regret and anger when I do it to you, because I did not do it when you do it
Saturday, 22 June 2013
hard work
the hard work that we do on your own without the help of others and without cheating will produce satisfactory results, even though sometimes we do not end up with maximum results
faith
as long as you can still have faith in the heart, you can still have peace even if you are faced with a problem that you think is huge
grateful
warn if the ant can not share a meal with you,
remind them that there is too much food in front of them, the more they are not grateful to God
remind them that there is too much food in front of them, the more they are not grateful to God
my mind
simple as that say eating fried tempeh this morning,
simple alive if we are always grateful for what God has given to us
simple alive if we are always grateful for what God has given to us
hehe
accept all that is before you is the
Do not look for what's in front of other people, because it is the portion that fits for you by God, and it is very good for you
Do not look for what's in front of other people, because it is the portion that fits for you by God, and it is very good for you
thing yourself
you need to be aware of when you are liked by everyone, because it may indicate you as a sycophant,,
and you have to be more vigilant when nobody wants your presence, because it indicates that you are a man who is very poor
and you have to be more vigilant when nobody wants your presence, because it indicates that you are a man who is very poor
changes
what do you do when this is true. not assessed from the response they give. but the changes they feel their own without knowing it
wises
Do not ever feel sorry when people do not believe that you can provide motivation when you collapsed, because at that time they were worried about your success, and that means you did a great guy
my feel
I do not want to feel anything at all that can not be explained
like water that can only be touched but can never be grasped
like water that can only be touched but can never be grasped
piring dance
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The scrumptious Padang cuisine may be the most indulging taste served on West Sumatra’s
plates, but the most astounding thing the Minangkabau can work on their plates
is through the dramatic performance of Tari Piring or the Plate Dance.
Locally known as Tari Piriang (Minangkabau language for Plate), the
attractive dance originates from the city of Solok, about 60Km
east of Padang,
capital of West Sumatra.
The dance showcases an exceptional feature of placing porcelain
or ceramic plates on both open palms of dancers as they perform fast and
vibrant choreographies that involve the swaying of plates to every direction
and even turning them upside down with their palms turned down.
Amazingly, whatever energetic moves the dancers make, the plates continue to
stick as if glued to their palms.
As dramatic climax, at the end of the dance the dancers smash
the plates onto the floor, deliberately breaking them into sharp pieces. The
dancers will then continue dancing on the pointed shards, remaining completely
uninjured. This action of artists leaping onto piles of pointed shards is
considered the magic of Tari Piring.
Originally the dance was a solo performance, but later it
transformed into a group dance performed by a number of dancers. Although
both males or females can perform the dance, uniquely, the Minangkabau adhere
to a strict rule : that dancers must be odd in number. For this
performance, dancers wear traditional Minangkabau costumes featuring the bright
color combinations of red, yellow and gold.
Although the Gong and Rebana were the initial musical instruments
accompanying the Tari Piring, yet over time, the dance was made more
lively with the enchanting harmony of the Talempong and Saluang. The dancers also wear rings
on their fingers, which they click onto the plates, creating unique
rhythmic sounds.
Originally, the dance symbolized the gratefulness of the people
to the Almighty God , which was performed as a ritual during the harvest
time. As the influence of Islam spread through the area, the dance relinquished
its ritual meaning and evolved into an attractive presentation at weddings,
welcoming guests of honor, as well as presented during other special
celebrations. If initially Tari Piring was considered an exclusive art to be
shown for the royal family and performed exclusively in palaces or at royal
occasions, with time it evolved extensively into a form of folk entertainment.
There are no clear records that can firmly determine the time
when Tari Piring was created, however several sources indicate that this
special art form has existed since 800 years ago. The dance is believed to have
developed during the golden era of the Sriwijaya Kingdom on Sumatra up to the
rise of the Majapahit Kingdom on Java in the 16th century. The arrival of
Majapahit on Sumatra drove many Sriwijayan aristocrats to other parts of the
archipelago, thus the dance can also be found in other areas, including in the
neighboring country of Malaysia.
saman dance
When you come across
an Indonesian cultural performance in any international exhibition, it is very
much likely that Acehnese vibrant traditional dance, the Saman Dance, would be
one of the assorted cultural splendors put on stage. Mostly comparable with any
Balinese dance, Saman Dance is one of the sweethearts of Indonesian performing
arts, often acts as an ambassador of exceptional Indonesian dances.
Created by a native Acehnese, a religious leader named Sheikh Saman around the 16th century, the dance is widely known as indigenous to the Gayo society as it was born in Central Aceh. Many modern societies in Asian, Australian, and European nations have adopted its harmonious and impulsive mechanism. However, the originality and authenticity of the dance can never be imitated when the essence is always in Aceh.
Performed by a group of dancers wearing mostly colorful and bright traditional uniform, the dance is a development of an art of Acehnese dance called Pok Ane. It is a singing of a poem, combined with claps of hands, pats on chest, and thigh slaps. The movements are so harmonious and sometimes vigorous that would leave the spectators in awe. Saman Dance is truly an entertaining performance that only beautiful minds can create such exquisite and artful techniques.
Created by a native Acehnese, a religious leader named Sheikh Saman around the 16th century, the dance is widely known as indigenous to the Gayo society as it was born in Central Aceh. Many modern societies in Asian, Australian, and European nations have adopted its harmonious and impulsive mechanism. However, the originality and authenticity of the dance can never be imitated when the essence is always in Aceh.
Performed by a group of dancers wearing mostly colorful and bright traditional uniform, the dance is a development of an art of Acehnese dance called Pok Ane. It is a singing of a poem, combined with claps of hands, pats on chest, and thigh slaps. The movements are so harmonious and sometimes vigorous that would leave the spectators in awe. Saman Dance is truly an entertaining performance that only beautiful minds can create such exquisite and artful techniques.
kecak
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The Kecak Dance is an especially unique and one of the
most dramatic of all Balinese dances. A combination of dance and
drama, the Kecak dance depicts the Hindu epic, “Ramayana,” and tells the story
of Prince Rama, who with the help of the monkey-king Hanoman defeats the evil
King Rahvana to rescue his Princess Sita. Kecak also has roots in Sanghyang,
a sacred ritual based on the idea that during the performance, hyangs, or
spiritual entities will enter and possess the bodies of the dancers.
The dance begins just as the glowing sun slowly sets beyond the
horizon at sea. To catch this dramatic moment, the stage is placed with
the temple of Tanah Lot or Uluwatu as background. A chorus of 150 men clad in
checkered cloths around their waists, representing an army of monkeys, utter
percussive sounds. They sit in concentric circles, leaving an open arena with
an oil torch in its center.
As the sky darkens, the burning flames of the torch become the
only natural lighting of this cacophonous play, creating a truly mystical
atmosphere, illuminating the performers and audience alike in a haunting glow.
The circular ensemble sways rhythmically back and forth and
waves their hands as the drama unfolds, yet above the chants of the swaying
masses, the narrator’s voice can be heard, telling the tale. As the plot
progresses, the ring of acapella percussionists enhance the performance of the
lead actors in the center by acting as the armies in the battle scenes, and
even unite as an enormous, twisting serpent in the performance’s final climax.A
triumph of style and emotion over actual story, the Kecak dance is sure to keep
every viewer captivated for every second of the show.
The story takes an episode of the great Ramayana epic. It tells
about the abduction of Princess Sita by the giant Rahwana when Prince Rama and
Princess Sita were wondering in the forests. Prince Rama leaves his wife to
chase a golden deer. But first he draws a circle around her, which he tells her
not to step out from. Rahwana sees her and through ruse succeeds to abduct her
to his palace. In his search for his wife, King Rama meets the monkey king
Hanoman who helps him. Hanoman’s monkey army burns Rahwana’s palace, and so the
two lovers are happily reunited.
Unlike other Balinese dances, the Kecak is not performed to the
accompaniment of Gamelan, which is the Balinese “orchestra.” Instead it is
enacted to the sounds of 150 or more male voices chanting “chak-achak-achak,” hence
giving the dance its name. Another unique factor is that the Kecak is
also one of the only dances that was created for the sole purpose of
entertaining visitors. It is hardly ever watched by the Balinese
themselves.
Kecak was originally a trance ritual accompanied by a male
chorus. In the 1930’s, the German painter and musician Walter
Spies took a deep
interest in the ritual while he was living in Bali. He then worked together
with Balinese dancer Wayan Limbak to recreate it into a drama, combining
themes and movements from the traditional Sanghyang exorcism rituals with
portions of the Hindu epic, Ramayana. The intention was to create a dance that
was both authentic to Balinese traditions, yet appealing to Western audiences.
Wayan Limbak later toured the globe with a troupe of Balinese
performers, thus popularizing the dance and making it famous throughout the
world.
Pura Luhur Uluwatu is one of Bali’s 9 main temples, and is
one of the places you can personally witness the Kecak Dance. The temple is perched
at the edge of a steep cliff, overlooking the crashing waves 70 meters below.
Originally a very small temple, Pura Luhur Uluwatu was first expanded by a
Javanese sage during the 11th century.
As the temple is sacred ground, one must be properly dressed
before entering, as respect to the Balinese Hindus. Sarongs are available free
at the entrance for women wearing clothing that does not cover their knees.
Visitors to the temple can feel free to roam about and explore the temple
grounds, but the central courtyard can only be entered during special rituals.
The Kecak dance is performed at the temple every evening at 6:00
p.m. in an open-air arena to the backdrop of the ember sky, as the
glowing red sun sinks beneath the horizon. Tickets to the dance can be
purchased for approximately IDR 75,000. Visitors should note that during high
season, tickets are often sold out and should be booked a few days in advance.
Pura Luhur Uluwatu is located on the island of Bali, about 45
minutes from Nusa Dua, or 1 hour 15 minutes from Kuta or Tuban area.
kuda lumping
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Art Kuda Lumping is one of the traditional arts that some people mention
comes from several areas in East Java, but not only in East Java only Arts Kuda
Lumping is there, in Central Java was also known art Kuda Lumping this. Art
Kuda Lumping is a dance that is played with a horse artificial media,
made of woven bamboo or braid. None of the historical record to explain the
origin of this dance, just a verbal history passed down from one generation to
the next.
That said, Kuda Lumping dance is a form of appreciation and support of the commoners against the cavalry Diponegoro in the face of the Dutch colonizers. There is also a version that says, that the Kuda Lumping dance depicting the struggle of Broken Raden, who is assisted by Sunan Kalijaga, against the Dutch colonialists. Another version states that, the dance tells about war Mataram troops led the lane I, King of Mataram, to face the Dutch troops.
Regardless of the origin and historical value, Kuda Lumping dance reflects the spirit of heroism and military aspects of a cavalry or cavalry. It is seen from the rhythmic movements, dynamic, and aggressive, with the flick of woven bamboo, mimicking the movement like a horse in the midst of war.
Often the Kuda Lumping dance performances, the show also featured attraction magical smell supernatural powers, such attractions chew glass, slashed the arm with a machete, burn away, walking on broken glass, and others. Perhaps, this reflects the attraction of the supernatural powers developed in the ancient kingdom of Java, and is a non-military aspects that are used to fight the Dutch troops.
In East Java, the art is familiar with the community in some areas, such as Malang, Nganjuk, Tulungagung, and other areas. This dance is usually displayed on certain events, such as the welcome guest of honor, and as a thanksgiving, the intent is granted by the Almighty.
In pementasanya, do not need a special choreography, as well as equipment supplies as well as Karawitan gamelan. Gamelan to accompany dances Kuda Lumping is quite simple, consisting only of Kendang, Kenong, Gong, and trumpet, the flute to sound shrill. Poetry is sung in the accompanying dance, usually containing the appeal that the human is always doing good deeds and always remember the Great Creator.
In addition to containing the elements of entertainment and religion, traditional arts Kuda Lumping is often also an element of ritual. Because before the show starts, it usually rains a handler would perform rituals, to maintain that the weather remains bright considering the show is usually done in the open field. Pagelarannya In each, Kuda Lumping dance this dance brings 4 fragment that is 2 times Lawas Buto dance, dance Senterewe, and Begon daughter dance.
At Buto Lawas fragments, usually danced by men only and consists of 4 to 6 dancers. Some young dancers bamboo riding and dancing to the music. On this section, the dancers may have possessed Lawas Buto or possessed by spirits. The audience did not escape from this trance phenomena. Many local residents who witnessed the performances into a trance and danced with the dancers. Unconscious, they continued to dance with energetic movements and looks compact with other dancers.
To recover the consciousness of the possessed dancers and audience, each show is always present in the ancestor, that is, those who have the supernatural ability whose presence can be recognized through the clothes she was wearing all black. The progenitor of this will give bidders up to the dancers and audience awareness recover.
In the next round, the dancers are men and women will join to bring a dance named senterewe.
At the end of the dance, the dancers dance movements that are not serancak at the beginning, but have started to relax. and there are six women brought Begon daughter dance. Kuda Lumping dance concludes with Begon Daughter Dance, performed by six women dancers.
reog ponorogo..
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The case of the 'stolen' Reog Ponorogo
Reog Ponorogo made
headlines across Indonesia in November 2007 when it featured in a Malaysian
tourism commercial as a part of the 2007 Malaysia Truly Asia campaign. In
Malaysia the dance is referred to as Tari Barongan, but certain elements mark
it as an unmistakeable descendant of Reog, most notably the use of the dhadak
merak mask which most Malaysian groups import from Ponorogo craftsmen. The use
of Reog in this commercial without acknowledgement of its origins was enough to
cause an uproar in Ponorogo. But the Malaysians made things even worse by
emblazoning the word ‘Malaysia’ on the mask in the place usually reserved for
the words ‘Reog Ponorogo’.
In the eyes of the
people of Ponorogo this was blasphemy. Despite attempts by the Malaysian
ambassador to explain that his country had never claimed that Reog was
originally from Malaysia, the Ponorogoans saw it differently. Former Reog
artist, mystic and warok (traditionally pederasts with an exalted status as
powerful men and leaders), Ahmad Tobroni, saw the incident as a way to subtly
claim Reog as their own. Like many Ponorogoans, he reacted to the news of
Malaysia’s treachery with a spontaneous 'jancuk!' (damn it!), stating that he
felt that 'this art from our ancestors was being claimed, just like that,
in the interest of tourism’.
Friday, 21 June 2013
alicia key
IF I AIN'T GOT YOU By: Alicia Key
Some people live for the fortune
Some people live just for the fame
Some people live for the power, yeah
Some people live just to play the game
Some people think that the physical things
Define what’s within
And I’ve been there before
But that life’s a bore
So full of the superficial
Some people live just for the fame
Some people live for the power, yeah
Some people live just to play the game
Some people think that the physical things
Define what’s within
And I’ve been there before
But that life’s a bore
So full of the superficial
[Chorus:]
Some people want it all
But I don’t want nothing at all
If it ain’t you baby
If I ain’t got you baby
Some people want diamond rings
Some just want everything
But everything means nothing
If I ain’t got you, Yeah
Some people want it all
But I don’t want nothing at all
If it ain’t you baby
If I ain’t got you baby
Some people want diamond rings
Some just want everything
But everything means nothing
If I ain’t got you, Yeah
sumber
www.rizkyonline.com
Some people search for a fountain
That promises forever young
Some people need three dozen roses
And that’s the only way to prove you love them
Hand me the world on a silver platter
And what good would it be
With no one to share
With no one who truly cares for me
That promises forever young
Some people need three dozen roses
And that’s the only way to prove you love them
Hand me the world on a silver platter
And what good would it be
With no one to share
With no one who truly cares for me
[Chorus:]
Some people want it all
But I don’t want nothing at all
If it ain’t you baby
If I ain’t got you baby
Some people want diamond rings
Some just want everything
But everything means nothing
If I ain’t got you, you, you
Some people want it all
But I don’t want nothing at all
If it ain’t you baby
If I ain’t got you baby
Some people want diamond rings
Some just want everything
But everything means nothing
If I ain’t got you, yeah
Some people want it all
But I don’t want nothing at all
If it ain’t you baby
If I ain’t got you baby
Some people want diamond rings
Some just want everything
But everything means nothing
If I ain’t got you, you, you
Some people want it all
But I don’t want nothing at all
If it ain’t you baby
If I ain’t got you baby
Some people want diamond rings
Some just want everything
But everything means nothing
If I ain’t got you, yeah
[Outro:]
If I ain’t got you with me baby
So nothing in this whole wide world don’t mean a thing
If I ain’t got you with me baby
If I ain’t got you with me baby
So nothing in this whole wide world don’t mean a thing
If I ain’t got you with me baby
adele _ Roling in the deep
ROLLING IN THE DEEP By : Adele
There's a fire starting in my heart
Reaching a fever pitch, and it's bringing me out the dark
Finally I can see you crystal clear
Go ahead and sell me out and I'll lay your shit bare
See how I'll leave with every piece of you
Don't underestimate the things that I will do
There's a fire starting in my heart
There's a fire starting in my heart
Reaching a fever pitch
And it's bringing me out the dark
The scars of your love remind me of us
The scars of your love remind me of us
They keep me thinking that we almost
had it all
The scars of your love, they leave
me breathless
I can't help feeling
We could have had it all
Rolling in the deep(Tears are gonna fall, rolling in the
deep)
You had my heart inside of your hand(You're gonna wish you
never had met me)
And you played it to the beat(Tears are gonna fall, rolling
in the deep)
Baby, I have no story to be told
But I've heard one of you
And I'm gonna make your head burn
Think of me in the depths of your
despair
Making a home down there
As mine sure won't be shared
The scars of your love remind me of us
They keep me thinking that we almost had it all
The scars of your love, they leave me breathless
I can't help feeling
We could have had it all
Rolling in the deep(Tears are gonna
fall, rolling in the deep)
You had my heart inside of your
hand(You're gonna wish you never had met me)
And you played it to the beat(Tears
are gonna fall, rolling in the deep)
We could have had it all
Rolling in the deep
You had my heart inside of your hand
But you played it with a beating
Throw your soul through every open door
Throw your soul through every open door
Count your blessings to find what you look for
Turn my sorrow into treasured gold
You pay me back in kind and reap just what you sow
(You're gonna wish you never had met me)
(You're gonna wish you never had met me)
We could have had it all(Tears are gonna fall, rolling in
the deep)
We could have had it all(You're gonna wish you never had met
me)
It all, it all, it all(Tears are gonna fall, rolling in the
deep)
We could have had it all(You're gonna wish you never had met me)
We could have had it all(You're gonna wish you never had met me)
Rolling in the deep(Tears are gonna fall, rolling in the
deep)
You had my heart inside of your hand(You're gonna wish you
never had met me)
And you played it to the beat(Tears are gonna fall, rolling
in the deep)
You could have had it all(You're gonna wish you never had met me)
You could have had it all(You're gonna wish you never had met me)
Rolling in the deep(Tears are gonna fall, rolling in the
deep)You had my heart inside of your hand(You're gonna wish you never had met
me)
But you played itYou played itYou played itYou played it to the beat.
But you played itYou played itYou played itYou played it to the beat.
don't you remember
DON'T YOU REMEMBER By : Adele
When will i see you again?
You left with no goodbye
Not a single word was said no final kiss to seal any seams
I had no idea of the state we were in
# I know i
have a fickle heart and bitterness
And a wandering eye,and a
heaviness in my head
But dont you remember?
Dont you remember?
The reason you loved me before
Baby, please remember me once more
When
was the last time you through of me?
Or have
your completely
Erased
me from your memory?
I often think about where i went
wrong
The more
i do, the less i know
Back to #
Gave you the space so you could breathe
I kept my distance so you would be free
And hope that you find the missing piece
To bring you back to me
When will i see you again
katy perry
Summer after high school when we first met
We make out in your Mustang to Radiohead
And on my 18th Birthday
We got matching tattoos
Used to steal your parents' liquor
And climb to the roof
Talk about our future
Like we had a clue
Never planned that one day
I'd be losing you
In another life
I would be your girl
We'd keep all our promises
Be us against the world
In another life
I would make you stay
So I don't have to say
You were the one that got away
The one that got away
I was June and you were my Johnny Cash
Never one without the other we made a pact
Sometimes when I miss you
I put those records on
Someone said you had your tattoo removed
Saw you downtown singing the Blues
It's time to face the music
I'm no longer your muse
But in another life
I would be your girl
We'd keep all our promises
Be us against the world
In another life
I would make you stay
So I don't have to say
You were the one that got away
The one that got away
The o-o-o-o-o-one [x3]
The one that got away
[Bridge:]
All this money can't buy me a time machine (Nooooo)
It can't replace you with a million rings (Nooooo)
I shoulda told you what you meant to me (Woooooow)
'Cause now I paid the price
In another life
I would be your girl
We'd keep all our promises
Be us against the world
In another life
I would make you stay
So I don't have to say
You were the one that got away
The one that got away
The o-o-o-o-o-one [x3]
In another life
I would make you stay
So I don't have to say
You were the one that got away
The one that got away
We make out in your Mustang to Radiohead
And on my 18th Birthday
We got matching tattoos
Used to steal your parents' liquor
And climb to the roof
Talk about our future
Like we had a clue
Never planned that one day
I'd be losing you
In another life
I would be your girl
We'd keep all our promises
Be us against the world
In another life
I would make you stay
So I don't have to say
You were the one that got away
The one that got away
I was June and you were my Johnny Cash
Never one without the other we made a pact
Sometimes when I miss you
I put those records on
Someone said you had your tattoo removed
Saw you downtown singing the Blues
It's time to face the music
I'm no longer your muse
But in another life
I would be your girl
We'd keep all our promises
Be us against the world
In another life
I would make you stay
So I don't have to say
You were the one that got away
The one that got away
The o-o-o-o-o-one [x3]
The one that got away
[Bridge:]
All this money can't buy me a time machine (Nooooo)
It can't replace you with a million rings (Nooooo)
I shoulda told you what you meant to me (Woooooow)
'Cause now I paid the price
In another life
I would be your girl
We'd keep all our promises
Be us against the world
In another life
I would make you stay
So I don't have to say
You were the one that got away
The one that got away
The o-o-o-o-o-one [x3]
In another life
I would make you stay
So I don't have to say
You were the one that got away
The one that got away
maroon 5
ONE MORE NIGHT by : Maroon 5
You and i go hard,
at each other like we going to war
you and i go rough
we keep trowing things and slammin’ the door
you and i get so
damn dysfunctional we stopped keeping score
you and i get sick
yeah i know that we can’t do this no more eh
# but baby
there you go again, there yougo again
making me love you yeah
i stop using my head,using my
head
let it all go
get you stuck on my body, on my
body
like a tattoo
and now im feeling stupid,
feeling stupid
crawling back to you
so i cross my heart, and i hope
to die
that i’ll only stay with you
one more night
and i know i said it a million
times
but i’ll only stay with you one
more night
trying to tell you no
but my body keeps on telling you yes
trying to tell you
stop
but your lipstick got me so out of breath
i’d be waking up, in the morning probably hating myself
and i’d be waking up
feeling satisfied, but guilty as hell eh
back to #
uh uh
uh baby give me one more night
a thousand year
A THOUSAND YEAR
heartbeats fast
colors and promises
how to be brave
how can i love when i’m afraid to fall
but watching you stand alone
all of my doubt suddenly goes away somehow
one step closer
i have died everyday waiting for you
darling don’t be afraid i have loved you
for a thousand years
i love you for a thousand more
time stands still
beauty in all she is
i will be brave
i will not let anything take away
what’s standing in front of me
every breath
every hour has come to this
one step closer
i have died everyday waiting for you
darling don’t be afraid i have loved you
for a thousand years
i love you for a thousand more
and all along i believed i would find you
time has brought your heart to me
i have loved you for a thousand years
i love you for a thousand more
one step closer
one step closer
i have died everyday waiting for you
darling don’t be afraid i have loved you
for a thousand years
i love you for a thousand more
and all along i believed i would find you
time has brought your heart to me
i have loved you for a thousand years
i love you for a thousand more
how to be brave
how can i love when i’m afraid to fall
but watching you stand alone
all of my doubt suddenly goes away somehow
one step closer
i have died everyday waiting for you
darling don’t be afraid i have loved you
for a thousand years
i love you for a thousand more
time stands still
beauty in all she is
i will be brave
i will not let anything take away
what’s standing in front of me
every breath
every hour has come to this
one step closer
i have died everyday waiting for you
darling don’t be afraid i have loved you
for a thousand years
i love you for a thousand more
and all along i believed i would find you
time has brought your heart to me
i have loved you for a thousand years
i love you for a thousand more
one step closer
one step closer
i have died everyday waiting for you
darling don’t be afraid i have loved you
for a thousand years
i love you for a thousand more
and all along i believed i would find you
time has brought your heart to me
i have loved you for a thousand years
i love you for a thousand more
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joglo
Joglo house is
mostly owned by those who can afford. This
is due to home form joglo require building materials and more expensive than
other forms of home. Javanese
society in the past assume that joglo home should not be owned by most people,
but the house joglo only allowed to house the nobility, the king's palace, and
the princes, and people who esteemed or respected by the others alone. Today joglo house used by all levels
of society and also for various other functions, such as conference hall and offices. Many beliefs that cause people is not easy to make a house shape joglo. Houses form joglo besides requiring more materials, also requires a large financing, especially if the house is damaged and needs to be repaired.
Economic life of someone who had also participated in the tidal effect, especially after the shift offspring from parents to children. If the descendants of someone who has a house shape joglo decreased levels of the economy and must improve and must maintain its shape, means it must provide adequate fee. This will be a problem for that person. This is due to the existence of a trust, that changing the shape joglo in another form is forbidden because it would cause a bad influence on his later life, such a wretched, to bring disaster, and so forth.
Basically, the house forms joglo berdenah square. At first, this form has four main pillars in the middle of the call pillars, and is used blandar compound which is called intercropping. This intercropping Blandar layers upward, upward to widen even further. So initially just a central part of the house forms joglo today. Subsequent developments, provided additions to the side parts, so that the pole is added according to need. In addition, a sketch is also changing according to the addition. The changes mentioned there are only a mere extra ordinary, but there also are changes in construction.
From these changes timbulah joglo house forms a wide range with the name of each. Adapaun, the types joglo, among others: joglo jompongan, joglo kepuhan jokes, joglo ceblokan, joglo kepuhan limolasan, joglo sinom clamp, joglo pengrawit, joglo kepuhan clamp, joglo semar tinandu, joglo sexual intercourse, joglo Wantah clamp, joglo hageng , and joglo mangkurat.
tanah lot
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Tanah Lot is one of the important directional temples
in Bali. The temple is located on a rock just offshore. It is said to be
the work of revered 15th century Hindu priest Nirartha and forms an important
element of Balinese spirtualism and mythology.
This is an extremely popular
tourist destination and the whole area is often very busy indeed, especially in
the late afternoons, pre-sunset. The area between the car park (Rp 5,000 per
vehicle) and the beach adjacent to the temple is a maze of souvenir shops
selling just about every Balinese trinket imaginable.
Once you have fought your way
through the souvenir vendors to the beach, you will see the magnificent temple
perched on a rock just a few metres offshore. There is a footpath to the raised
cliff area just to the south from where the views of the temple and the sunset
behind it are outstanding. Photo-opportunities abound.
At low tide visitors can walk to
to the base of Tanah Lot. For a small donation you can be blessed and can then
walk some 20 metres around the side on a path, that eventually leads up to the
temple. You have no better view of than from that on the sand. The only
advantage being that you are standing on the base of Tanah Lot itself.
Restoration of the Temple. A
comprehensive restoration programme started in the 1990s when it was realised
that the rock was seriously eroded and in danger of collapse. This major work
resulted in the actual temple being out of bounds which is still the case as of
February 2013. This is not really a hindrance to visitors though as entrance to
the actual temple is not the key attraction.
ngaben
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Ngaben or the Cremation Ceremony is the ritual performed to send
the dead through the transition to his next life. The village Kul Kul, hanging
in the tower of the village temple, will sound a certain beat to announce the
departure of the deceased. The body of the deceased will be placed at Bale
Delod, as if he were sleeping, and the family will continue to treat him as if
he were still alive yet sleeping. No tears are shed, for he is only gone
temporarily and he will reincarnate into the family.
The Priest consults the Dewasa to determine the proper day for
the ceremony. On the day of the ceremony, the body of the deceased is placed
inside a coffin which is then placed inside a sarcophagus in the form of a
buffalo (called Lembu) or a temple structure called Wadah made of
paper and light wood. The Wadah will be carried to the village cremation site in a procession.
The climax of Ngaben is
the burning of the Wadah, using fire originating from a holy source. The
deceased is sent to his afterlife, to be reincarnated in the future.
reog ponorogo culture and identity
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Culture and identity
In recent years
Indonesia has accused Malaysia of several instances of cultural theft and
appropriation. These spats are also mixed with other bilateral issues such as
the mistreatment of Indonesian domestic workers in Malaysia and the regular
border disputes between the two countries. However, for the people of Ponorogo,
the theft of Reog was something much more personal. For them, Reog is so much
more than a dance.
On the national stage,
weekly Reog performances represent Ponorogo at Taman Mini, the recreation park
in Jakarta which displays miniature representations of the major cultures of
the archipelago. It is promoted as Ponorogo's premier tourism drawcard.
As the only art form – perhaps the only product – that can be described as
uniquely Ponorogoan, it is the only way to express local identity. The great
dhadak merak mask, which performers hold by biting down on a concealed wooden
bar, appears on billboards, bumper stickers and in statue form throughout
Ponorogo. In fact the correlation between dance and region is so strong that,
in the words of Reog coach and elementary school curriculum coordinator Jarumi,
‘Ponorogo is identified with Reog, not Reog with Ponorogo!’
The attitude in
Ponorogo towards Reog reflects a wider trend in Indonesia, where art
forms emerge from their traditional roles in local cultures and become a
symbol for an ethnic group. This trend is strongly influenced by an
understanding of culture based on its physical elements, which is promoted by
sites such as Taman Mini or the representation of local cultures in school
textbooks. The national motto, Unity in Diversity, is often graphically
expressed as members of various ethnic groups, each in their traditional
costume, standing together smiling, the diversity element reduced to fabrics
and feathers. Consequently, traditional dress, dance and architecture are a
means of expressing a local identity and to understand one’s place in the great
national project that is Indonesia.
Thursday, 20 June 2013
wise of words
everything about your life
just life with the flow
don't worry about risk or failed
but just believe, Allah always in our side
and ready to helps our when we believe
don't cry, when you find problem
because the problem can make you to be a good person
don't afraid with hopeless
because you need something which haven't absolute
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